Showing posts with label Dominic O'Brien. Show all posts
Showing posts with label Dominic O'Brien. Show all posts

Tuesday, June 7, 2011

Five Essential... Guilty Pleasure Childhood Movies of the 80s

Dominic O'Brien selects his Five Essential Guilty Pleasure Childhood Movies of the 80s…

Oh how I love 80s filmmaking. Honestly no other decade within film (at least to my knowledge) contains more cult film features that span from kids films, through to long forgotten action and horror films. One such sub-genre which seems to have grown in popularity (possibly due in part to the internet) is that of guilty pleasure films from our childhood.

Sure there are those classic 80s kid flicks which have stood the test of time; The Goonies, Ghostbusters, Indiana Jones and The Karate Kid to name a few. But what about those lesser seen almost unheard of features. The ones your parents (or maybe you) got out when the better films where already rented.

Obviously I am speaking for myself here, but when I was younger these films were considered cinematic marvels. So sit down, grab a bean bag, sip from your favorite childhood tipple and indulge in my top five Guilty Pleasure Childhood Movies of the 80s...

5 – The Garbage Pail Kids Movie (1987)

Anyone brought up in the 80s knew of the collectable cards these were based on. Sick, revolting, un-pc and utterly brilliant, this really only could have been a product of the 80s. I would love to see something like this made today, but then I don’t think it would contain the same charm (or distinct disgustingness) that made it what it was all those years ago. Considered one of the worst films ever made, but what actually makes it so bad? Well it contains one of the most god awful song and dance routines ever committed to film (it will haunt your nightmares). It becomes painfully clear how the same sets are constantly reused and it is filled with woeful dialogue. This is so amazingly awful that it truly has to be seen to be believed. With characters such as Valerie Vomit, Windy Winston and Greaser Greg how could you not want to see this?


4 - Mac and Me (1988)

Essentially an E.T. rip-off (about 5 years too late), this has now gained an almost notorious, cult film following (myself unfortunately included). It is almost as though the film was funded by McDonald’s and its hard not to notice the rather strange, mass dance-off in said eatery. There are moments (which when watched now) that do provoke uncontrollable fits of laughter such as; the rather obvious use of a stunt dummy during a characters fall off a cliff, the over reliance on product placement and the stiff puppet movements of the title character. When all is said and done its still a rip-off, but a rip-off with a little bit of heart underneath its product placement visuals.



3 - Little Monsters (1989)

During my younger years this movie was responsible for being afraid about what could be under the bed. It is in fact an over looked dark children's fantasy, although it was probably responsible for traumatising more children then actually entertaining them. Howie Mandell (the voice of Gizmo from Gremlins) proves to an eccentric and (sometimes) frightening friend to a young Fred Savage. The monster city is almost Burton-esque in its design and the films climax still manages to produce chills and nightmares in equal measure. The image of the head monster (dressed as a public school boy) still fills me with dread.




2 - Ghost Chase (1988)

This cheaply made kids film was (a then young) Roland Emmerich’s first film as director. Far removed from his more recent mega expensive, mega explosive and mega awful films that he churns out now. This feature (much like the others on this list) holds a special place in my film heart. For starters I had always been mesmerized by the VHS cover art, it was both frightening and intriguing. It used Belouis Some’s ‘Imagination’ (a piece of pure 80s power pop) within the trailer and has a great showdown with a haunted suit of armor. Plus what other film are you likely to see that has a spirit of a dead butler possess a movie prop puppet? Low budget and underrated, this is a must for all cult film fans.



1 - Howard The Duck (1986)

I can already hear the boos on this choice, but (with the more astute among you already guessing) I really...rather....like....Howard the Duck. Now that I've lost all critical respect I want to tell you the reasons why. Yes it's an awful film and one which is unable to judge what target audience its actually aiming for (is it for teenagers or pre-teens?). What it does have is what I like to call the three C's of bad filmmaking; charm, cheese and cult appeal. Three things which help make this so much more then a bog standard comic book film. Howard is a fun character and has some truly corny one-liners; “No one laughs at a master of Quack Fu!” or “No duck is an island”. While its hard not to enjoy the stop-motion, Harryhausen inspired climax (which has stood the test of time). Only issue I have is the slightly dubious human / water foul love affair. Barring that the theme song is annoyingly catchy.

Honourable mentions:

The Gate (1987)
Hawk the Slayer (1981)
Masters of the Universe (1987)
The Last Starfighter (1984)

Agree? Disagree? We'd love to hear your thoughts...

Dominic O'Brien is an aspiring writer and filmmaker; he is a cult film fanatic and continues to seek out the weirdest and strangest films committed to celluloid.

Essentials Archive

Thursday, March 17, 2011

Five Essential... Films of Lucio Fulci

Dominic O'Brien selects his Five Essential Films of Lucio Fulci…

Highly regarded the world over by obsessive cult film fans as an often tyrannical filmmaker, as well as the godfather of Italian gore films, Lucio Fulci’s films still hit a nerve with viewers old and new. His nightmarish visuals and dreamlike narrative style still feels fresh and inventive. Granted over the years his work deteriorated – as did his health - which brought an even harsher critical backlash from reviewers and fans alike. Even after his passing back in 1996 he has left a generation of horror fans with some of the most haunting and nightmarish of genre films. Now his work is more revered then ever, so with that in mind I present the top 5 films from Italian maestro Lucio Fulci…

House by the Cemetery5. House by the Cemetery (1981)

Like many of his films released within the United Kingdom, this haunted house picture ran into problems during the video nasty era. Even with its excessive use of knife violence and prolonged physical pain inflicted on the lead protagonists, this is still a chillingly effective horror ride. Considered to be the final part of his ‘unofficial’ Gates of Hell trilogy, it still lacks a certain epic scale to really make it stand out from the previous instalments. It is still a cut above the rest of Italian genre cinema - even if the name ‘Bob‘ is used with chuckle-inducing regularity. But whatever you do, don’t go in the basement.





Zombi 24. Zombi 2 aka Zombie Flesh Eaters aka Zombie (1979)

Capitalising on the previous years' Dawn of the Dead by George A. Romero, this Italian based semi-sequel has since gone on to be a cult film favourite the world over. Yet again another one of Fulci’s films to run into problems with the British censors, this gory slice of horror Eurotrash is stomach churning and entertaining in equal measure. With its attention grabbing tagline ‘We are going to eat you!‘ and Fulci’s almost, masochistic lingering on violence, only goes to cement it further as a genre classic. Containing a legendary assembling of some of horror cinema's most instantly memorable scenes. Everything from the infamous eye-on-splinter impalement, through to the zombie vs. shark and lingering close ups of gun shots to the head, this is without a doubt one of the best of Fulci’s more gory cannon.


Don't Torture a Duckling3. Don’t Torture a Duckling (1972)

The more die hard fans of Fulci will know him to be an extremely diverse director, having been able to turn his hand to almost any genre. Having only discovered Don’t Torture a Duckling quite recently, this is thematically -and narratively - one of Fulci’s more accessible films. Essentially a giallo, this feature is most notable for containing Fulci’s first use of bloody make-up effects, which would of course continue to become a staple within his future projects. The film features cult Italian film star Florinda Bolkan as a reclusive witch who may or may not be killing off a group of young boys. Fulci carves out a suspenseful and often gruesome giallo, but it is one which will enthral from beginning to end.




City of the Living Dead2. City of the Living Dead aka The Gates of Hell (1980)

With an almost dream-like narrative, coupled with the visceral, nightmarish visuals, City of the Living Dead is a gorehounds paradise. It is as close to a living, breathing film nightmare as one is able to experience, with each dream-like sequence cascading into each other. Every grotesque vision forces the viewer further into this frightening rabbit hole, all of which is helped along the way by Gino De Rossi’s stomach churning effects work. It is certainly a surreal exercise in terror and contains some pretty standout moments of gore, but the best is yet to come.






The Beyond Lucio Fulci1. The Beyond (1981)

Quite possibly Lucio Fulci’s gore-soaked masterpiece of supernatural uber-violence. But where to start with this previously-banned video nasty? How about death by sulphuric acid, being eaten by carnivorous tarantulas, a zombified young girl ready to murder, as well as various exploding heads and melting body parts. It will certainly make anyone think twice about buying a new property, particularly if it is based on top of one of the seven gateways to hell. Fulci’s ability to create tense and atmospheric sequences - with the help of cult film composer Fabio Frizzi and cinematographer Sergio Salvati - truly has the ability to take your breath away. Of the three films within the Gates of Hell trilogy, it quickly becomes clear as to why this stands - head and shoulders - above the rest. It shows a master craftsman applying his skills and creating a Grand Guignol experience that will linger long after the credits roll.


Honourable mentions:

The Black Cat (1981)
Lizard in a Woman’s Skin (1971)
Manhattan Baby (1982)


Agree? Disagree? We'd love to hear your thoughts...

Dominic O'Brien is an aspiring writer and filmmaker; he is a cult film fanatic and continues to seek out the weirdest and strangest films committed to celluloid.

Essentials Archive